Square collection of beautiful photos
|
|
Details
October 7, 2009
6.4 MB 99.5 KB 900×600 StatisticsCamera Data
Canon
Canon EOS 5D 1/20 second F/4.0 105 mm 800 Aug 26, 2009, 5:26:04 PM Share
Link
Embed
Thumb
|
Critiques
This particular portrait was a fast
The model is the epitome of a young ingenue caught up in a victorian thriller. The coquettish tilt of the head and general pose really define the entire portait. Just like the heroines of a Alfred Hitchcock movie she achieves the balance between an innocent nature and a sharp, suspicious mind. Her relaxed pose conveys a delicateness but her eyes seem curious. Having her look off to the side, as if listening to someone (a confession perhaps...), implies that we are intruding on already transpiring events. It is not a stagnant portrait.
The post processing effect reminds me a lot of old photographs. The photographer mentioned on the commentary for Liaisons of Lies, that she was going for a 30-40's vibe, and the BW really lends itself here. It fits with the style the group was going for and highlights the very elements that the classic movies/photos relied on: luminescent skin, dark shadows, dramatic lighting.
In regards to lighting, I like how it there is almost a halo around the model with it ebbing away as you look up the stairs. The one thing that I would have liked to see is a slightly darker background- to really emphasize the shadows from the handrailing and further obscure the staircase (just to offer more contrast to the white dress and pale skin). However this is only a minor suggestion, as I do believe that the portrait makes a wonderful impact as is.
The MUA and costume is another asset to the photo. The make up and hair are spot on and I really like the dark eyes and lips. It harks back to that era and ties the whole look together.
Overall, I think this photograph, and really the whole series, is a gorgeous portfolio that showcases the talent of various deviants. You managed to replicate the silver screen era while also putting your own unique style into it. Bravo!
Previous PageNext PageThank you for your Critique
You are not logged in.